September 10, 2014
Have you always wanted to sing Handel’s Messiah?
Starting September 17, Alcorn Music Studios presents Messiah 101, a 12-week course to help you learn and master the world’s favourite oratorio. Led by choral director Elise Letourneau, this course will help you learn how to keep your place in the score, how to count in your vocal entries, how to listen to the accompaniment or other vocal parts for your note, how to mark up your score and more. Learn about important vocal techniques and choral etiquette to bring you up to speed for CAMMAC’s annual Come Sing Messiah event on December 5th at Dominion-Chalmers United Church.
Don’t forget to bring a copy of the Messiah vocal score, available at The Leading Note for $12.00 +HST.
April 9, 2014
This is a guest post by Jackie Hawley, a regular contributor to Anacrusis, the official journal of the ACCC (Association of Canadian Choral Communities). She is the Artistic Director of the Ottawa Children’s Choir and the Founding Director of the Cantiamo Girls Choir of Ottawa.
Good ideas should be shared! Here is something that has worked very well for my choirs. I hope you will find this useful for your choir as well.
A few years ago, when my Cantiamo Girls Choir was quite new, we had a local business person offer to make a donation to the choir. We had not solicited this sort of thing at that time in the choir’s development so we were happily inspired to think about how we could recognize our supporters with more than a tax receipt. This person had a favourite piece that we had sung in our concert. I thought that it might be a nice idea to have the donation directed towards covering the cost of buying those scores for the choir. (Read more…)
March 1, 2014
National Festival Showcases the Best of Canada’s LGBTQ Choral Scene
Unison Ottawa 2014 is the fifth edition of a once-in-four-years Lesbian, Gay, Bi, Trans, Queer (LGBTQ) choral festival that will bring together choristers and other music artists from across Canada to the nation’s capital for the first time ever!
Unison Ottawa 2014, under the leadership of Artistic Director Kurt Ala-Kantti, offers a showcase of the cross-country LGBTQ choral scene, and artistic and social networking to choruses within Canada’s LGBTQ communities. The Leading Note is proud to be selling tickets for Unison Festival concerts and will be hosting a “Meet and Greet” event for choir directors and other artistic representatives.
February 19, 2014
This week, Harmonia Choir of Ottawa will host the MosaiK Choral Festival, bringing Canadian composer and choral clinician Brian Tate, to Ottawa for a series of workshops and concerts. Choristers, music teachers, choral directors, and choral enthusiasts are all invited to attend. This is a great opportunity to explore some wonderful repertoire on the festival’s theme: Voices of Planet Earth. (Read more…)
February 22, 2013
The Leading Note is very proud to announce the recent publication of James Wright’s “To Young Canadians” by Cypress Choral Music.
“To Young Canadians” was composed for The Leading Note Foundation’s OrKidstra program and was premiered at a ceremony in Ottawa’s City Hall on September 29, 2012 at which the Honourable Jack Layton was posthumously awarded the Peace Award. The Honourable Olivia Chow accepted the award on Layton’s behalf and attended the performance with MP Paul Dewar and other members of Jack Layton’s family.
“To Young Canadians” is a setting of Jack Layton’s final public letter to Canadians before his death in August, 2011. The text is a message of hope and optimism directed to the younger generations of Canadians whom Jack Layton so greatly inspired. What better way to spread this message than through the universal language of music!
James Wright is an Ottawa composer and Professor of Music at Carleton University. “To Young Canadians” is arranged for SSA, SAB, or SATB choir with piano and optional strings. The premiere performance was conducted by Jeannie Hunter and featured soloist Jenna Glatt with OrKidstra, the KidSingers, the Cantiamo Girls’ Choir, the chamber choir of the Ottawa Children’s Choir, with composer James Wright at the piano:
The Leading Note has perusal copies of all three arrangements in stock. This work makes an excellent selection for children’s choirs or community choirs at any occasion to mark peace and social justice.
May 30, 2012
We at The Leading Note have been busy in recent weeks helping to organize Podium, the biennial choral conference hosted by the Association of Canadian Choral Communities. We had a booth in the trade show at Podium this past weekend. For this special choral conference, we stocked a wide variety of books on choral strategies, vocal techniques, warm-ups, and sight-singing. Many of these books are new to the Leading Note and we are very excited to have them in stock. Please come by the shop to browse our special display which is now located in the choral room.
We also have multiple copies of many of the choral pieces performed at Podium as well as the titles featured in The Leading Note’s Children’s Choir Reading Session, hosted by local clinician Jackie Hawley. Among these are some of our top-selling choral titles, including Klee Wyck by Brian Tate and Al Shlosha and Shiru by Allan E. Naplan. We also featured several new pieces including the following:
This new arrangement by Vancouver composer Willi Zwozdesky of the traditional song Hearth & Fire is set for three-part children’s choir with piano. The setting is expertly crafted, moving from the unison beginning to a three-part climax that can optionally be sung a cappella.
The text of this new carol by Donald Patriquin is taken from Kenneth Grahame’s Wind in the Willows. Sung by a troup of field mice carrying lanterns through the night a-carolling, the song is overheards by Mole and Rat as they scavenge in the kitchen. Patriquin’s setting includes a few good vocal challenges for young singers including a descant on the final verse. This makes a good twist on the familiar Christmas concert repertoire.
|We also have many other works by local composers whose works were performed at Podium, including Elise Letourneau, James Wright, and myself.|
February 27, 2012
As a service to Ottawa’s music community, we will post job and audition notices here on The Leading Note blog. We are pretty “in-tune” (pun intended) with the ins and outs of the Ottawa classical music scene but if you know of a vacancy, please let us know about it at firstname.lastname@example.org. Please note that we may not be able to post all the listings that we receive but we’ll do our best!
One such announcement was made earlier this month – Musica Viva Singers, an enthusiastic SATB community choir, is looking for a new director for its 2012-2013 season after the departure at the end of this season of their current director (and Leading Note regular) Marg Stubington. See all the details here. The deadline for applications is March 17th. Best of luck to all that apply!
January 10, 2012
Want to join the world’s largest choir? On February 21st, 2012, author and pianist Ervin Lásló will conduct the One Earth Choir, featuring singers from around the world. A video of Lásló will be available for download 3 days before the event; singers are to synchronize their watches and begin singing at exactly 11:00 A.M., Greenwich Mean Time. The One Earth Choir will perform a piece by Anna Bacchia, titled ÌNIN 2012: On the Path of the Peoples.
One Earth Choir finds its expression in the cultural values affirmed by voices in all continents, connected by one unique creative act in form of music. The sensibility towards a humanistic evolution of culture can take voice today, becoming a symphony, thus expressing the common substratum of humanity, of creativity, of collective memories and of resonances with Earth’s vital eloquence and with the evolution of knowledge.
Find out more about the One Earth Choir at http://www.inin2012.net/.